By Joe Weisenthal and Tracy Alloway
And Mondrian isn’t an isolated case. In recent weeks, similar post–Public Domain Day claims have surfaced from Fleischer Studios in connection with Betty Boop’s earliest appearances, and from representatives of Harold Lloyd’s estate concerning Safety Last! (1923), which entered the public domain over seven years ago. Different works, different theories—but the same objective: discourage use first, sort out the law later.
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Comparison between TIN and natural neighbour dithering, using a 16-colour irregular palette. Left to right: TIN, Natural Neighbour.
BLE ADV only: This excludes other Bluetooth LE frames from the log for better readability